In the production of the St. Petersburg Academic Ballet, The Nutcracker is more than a classic piece – it is a journey into the realm of fairy tales, where the unmatched Russian ballet technique meets Tchaikovsky’s unforgettable music and the warmth of the festive season.
World-renowned dancers, breathtaking sets, and the power of over 130 years of ballet tradition come to life in every movement. The performance is festive, fresh, and captivating – an unforgettable experience for both children and adults.
If you choose only one performance this year, let it be The Nutcracker – because it is not just a story, but a memory that will stay with you.
In 2027, The Nutcracker enters a new visual dimension: traditional fixed set pieces are replaced by large-scale LED screens and custom animations designed specifically for the production. The visual system features a total of 7 LED surfaces, including a 5 × 10-metre backdrop, as well as several side LED walls.
The LED system, with a 4.8 mm pixel pitch, displays detailed three-dimensional animations that create a continuously evolving environment for the story. The visuals are complemented by a large number of moving-head and LED lights, with the lighting and digital backdrop working together to shape the atmosphere of each scene.
Tchaikovsky’s music is far more than mere accompaniment to The Nutcracker: it tells the story just as vividly as the movements on stage. At every stop of the 2027 tour, the world-famous ballet score will be performed live by an orchestra, allowing audiences to experience the power of dance and symphonic music together.
The performances are accompanied by either the Budapest Philharmonic Orchestra, celebrating its 173rd season, or the Kodály Philharmonic Orchestra. The live connection between the orchestra and the dancers makes every performance unique: the music breathes with the stage, follows the rhythm of the movements, and brings even greater intensity to the story’s most important moments.
The Nutcracker 2027 production centres around the artists of the St. Petersburg Ballet, who represent St. Petersburg’s world-renowned tradition of classical ballet. The company brings together exceptional classical training and the energy of a new generation of dancers, with the technical precision and expressive power that are among the defining legacies of the Russian ballet school.
The company maintains close professional ties with the legendary Vaganova Ballet Academy and other renowned ballet schools, while its productions regularly feature dancers from some of Russia’s leading ballet centres. This brings together the great tradition of classical ballet and its new generation in a single performance.
The story begins on a warm, festive Christmas Eve, when Maria’s family welcomes guests into their home. The mysterious godfather, Drosselmeyer, arrives with a special gift: a nutcracker figure dressed in a soldier’s uniform, carrying a mysterious significance from the very first glance. Maria instantly falls in love with the present and decides to keep it by her side throughout the night. She does not yet know that this will open the door to a dreamlike adventure.
In the stillness of the night, Maria wakes to find the Christmas tree growing taller and taller, while the room fills with a strange, fairy-tale light. The toys slowly come to life, and the nutcracker is no longer just a motionless figure but a brave leader ready to protect the little girl. Then, faint sounds emerge from the darkness: an army of mice approaches, led by the crowned Mouse King. In an instant, the room transforms into a stage where toy soldiers and tiny heroes dance the story of courage.
After the strange night-time adventure, the Nutcracker is ceremoniously transformed into a prince and invites Maria on a journey filled with wonders. Together, they enter the silver-glittering forest of snowflakes, where graceful dancers move among the trees as if winter itself had come to life. Moving on, they arrive in the Land of Sweets, where the Sugar Plum Fairy and her court welcome them with colourful, mouth-watering dances. This is a place from the most beautiful corners of the imagination, where every movement and every melody celebrates the joy of Christmas.
The festive dances slowly fade, and Maria grows sleepier and sleepier. When she awakes, she finds herself back in her own room, holding the familiar nutcracker figure. Although the light of dawn brings her back to reality, she keeps every moment of the magical night in her heart. Perhaps it was only a dream, perhaps she truly visited the realm of fairy tales – but she knows for sure that this memory will stay with her forever.
The St. Petersburg Academic Ballet is the heir to the grand traditions of classical ballet, with roots reaching deep into the history of the art form. They take pride in their heritage and are dedicated to preserving and passing on the brilliance of ballet to future generations.
St. Petersburg is Russia’s cultural capital, home to some of the world’s most famous ballet theatres and schools. This city breathes the history of ballet, with its streets preserving the names of the great masters of the past. The company considers itself part of this rich cultural heritage and aims to develop ballet further in this unique environment.
In their work, they faithfully follow the traditions of Russian ballet, creating according to the classical canon. Every movement, pose, and emotion carries meaning, carefully conveyed to the audience. They pay special attention to detail so that every performance – including The Nutcracker in Hungary – reflects the perfect unity of technique, beauty, and expression.
Elena Kocjubira is a principal soloist and Artistic Director of the St. Petersburg Ballet. She received her classical ballet training at the Perm State Ballet Institute in the class of L. P. Sakharova, before performing as a principal soloist with several prestigious international ballet institutions, including the Mikhailovsky Theatre and the Bordeaux National Opera and Ballet in France. Her artistic achievements have also been recognised at the International Arabesque Ballet Competition. Her extensive repertoire includes iconic roles such as Giselle, Aurora, Juliet, Nikiya, Odette and Odile, as well as Maria in The Nutcracker.
The role of Maria holds a special place among her classical characters: she portrays the meeting of innocence and a magical fairytale world with the technical precision and expressive artistry that are defining qualities of Elena Kocjubira’s performances.
Rinat Bikmukhametov is an Honoured Artist of the Komi Republic and a principal soloist of the Academic Opera and Ballet Theatre of the Komi Republic. He joined the company in 2011 and has since distinguished himself in numerous major roles from the classical ballet repertoire. He participated in the international television competition Bolshoi Ballet, is a recipient of the Komi Republic Government Award, and has been recognised at several theatre competitions. His repertoire includes Basilio, Albrecht, Prince Siegfried, Prince Désiré, Solor, as well as the Nutcracker Prince and Drosselmeyer.
This time, he takes on the role of the Nutcracker Prince, combining outstanding classical ballet technique, a commanding stage presence, and versatile characterisation. In this role, the fairytale hero and the elegance of classical ballet come together.
Natsuki Konaka was born in Japan and began her classical ballet training at the Rudolf Nureyev Bashkir Choreographic College before continuing her studies at the Vaganova Academy of Russian Ballet, where she graduated in 2024. After completing her studies, she performed in several ballet productions in Moscow and St. Petersburg, including productions by the St. Petersburg Ballet, the Anton Ploom St. Petersburg Ballet Theatre, and Ballet Imperial. Her repertoire includes roles and pas de deux from Swan Lake, The Nutcracker, Giselle, The Talisman, La Fille mal gardée, and Don Quixote.
In the light and distinctive world of the Chinese Dance, she showcases both her classical ballet training and the diverse stage experience she has gained in recent years.
Mikhail Los graduated from the Vaganova Academy of Russian Ballet in 2018. He began his professional career as a member of private ballet companies and, in recent years, has performed on international tours across Russia, Europe, Asia, and the United Arab Emirates. His repertoire includes major works such as Swan Lake, The Nutcracker, The Sleeping Beauty, Giselle, Le Corsaire and Don Quixote. He has also performed in neoclassical productions and choreographic études in St. Petersburg and other cities across Russia.
In the role of the Arabian Doll, his characterisation draws on the traditions of classical ballet, supported by his extensive stage experience and international touring background.
Viktoriia Volchkova graduated from the Krasnoyarsk Ballet Institute and began her career as a member of the corps de ballet, later performing prominent roles as a coryphée and soloist. She has appeared in state theatres across Russia and as a guest artist on prestigious stages in more than 25 countries. Her repertoire includes numerous leading roles from the classical ballet canon, including Maria in The Nutcracker, as well as notable performances in The Sleeping Beauty, Giselle and La Bayadère. Her performances combine refined technical skill with powerful artistic expression, captivating audiences wherever she appears.
Leonid Kisil was born in St. Petersburg and received his classical ballet training at the Vaganova Academy of Russian Ballet, where he later earned a master’s degree with honours in ballet pedagogy and choreography. From 2006 to 2016, he was a member and soloist of the ballet company at the Mikhailovsky Theatre in St. Petersburg. He later served as Deputy Artistic Director at the Boris Eifman Ballet Theatre, contributing to the company’s artistic direction, rehearsal process, and the training of its dancers. He is also active as a choreographer and teacher, having founded his own choreographic studio and theatre, and regularly serves as a jury member at international ballet competitions and festivals. Throughout his career, he has toured extensively across Europe, North America, and Asia.
The Nutcracker calls for two distinctly different sides of his artistry: both the mysterious character of Drosselmeyer and the Mouse King require a commanding stage presence and strong characterisation. Leonid Kisil brings several decades of experience as a performer, teacher, and artistic director to these roles.
Sivrina Ulyana Yuryevna is a young classical ballet artist with international experience. From 2014 to 2019, she studied at the Moscow State Academy of Choreography before continuing her training at the Perm State Choreographic School, where she graduated in 2022. From 2022 to 2025, she worked as a senior-category ballet artist with the Novaya Opera & Ballet Moscow company. Since August 2025, she has participated in international tours, performing in destinations including Latin America and China. Key works in her repertoire include Swan Lake, The Nutcracker and Giselle.
She joins the production with extensive theatrical and international stage experience. Her classical ballet training, refined technical skills, and powerful stage presence are built on experience gained with several renowned companies and international tours. Her artistic sensitivity, confident stagecraft, and high level of performance expertise make her one of the production’s key artists.
The St. Petersburg Academic Ballet is the heir to the grand traditions of classical ballet, with roots reaching deep into the history of the art form. They take pride in their heritage and are dedicated to preserving and passing on the brilliance of ballet to future generations.
St. Petersburg is Russia’s cultural capital, home to some of the world’s most famous ballet theatres and schools. This city breathes the history of ballet, with its streets preserving the names of the great masters of the past. The company considers itself part of this rich cultural heritage and aims to develop ballet further in this unique environment.
In their work, they faithfully follow the traditions of Russian ballet, creating according to the classical canon. Every movement, pose, and emotion carries meaning, carefully conveyed to the audience. They pay special attention to detail so that every performance – including The Nutcracker in Hungary – reflects the perfect unity of technique, beauty, and expression.
Elena Kocjubira is a principal soloist and Artistic Director of the St. Petersburg Ballet. She received her classical ballet training at the Perm State Ballet Institute in the class of L. P. Sakharova, before performing as a principal soloist with several prestigious international ballet institutions, including the Mikhailovsky Theatre and the Bordeaux National Opera and Ballet in France. Her artistic achievements have also been recognised at the International Arabesque Ballet Competition. Her extensive repertoire includes iconic roles such as Giselle, Aurora, Juliet, Nikiya, Odette and Odile, as well as Maria in The Nutcracker.
The role of Maria holds a special place among her classical characters: she portrays the meeting of innocence and a magical fairytale world with the technical precision and expressive artistry that are defining qualities of Elena Kocjubira’s performances.
Rinat Bikmukhametov is an Honoured Artist of the Komi Republic and a principal soloist of the Academic Opera and Ballet Theatre of the Komi Republic. He joined the company in 2011 and has since distinguished himself in numerous major roles from the classical ballet repertoire. He participated in the international television competition Bolshoi Ballet, is a recipient of the Komi Republic Government Award, and has been recognised at several theatre competitions. His repertoire includes Basilio, Albrecht, Prince Siegfried, Prince Désiré, Solor, as well as the Nutcracker Prince and Drosselmeyer.
This time, he takes on the role of the Nutcracker Prince, combining outstanding classical ballet technique, a commanding stage presence, and versatile characterisation. In this role, the fairytale hero and the elegance of classical ballet come together.
Natsuki Konaka was born in Japan and began her classical ballet training at the Rudolf Nureyev Bashkir Choreographic College before continuing her studies at the Vaganova Academy of Russian Ballet, where she graduated in 2024. After completing her studies, she performed in several ballet productions in Moscow and St. Petersburg, including productions by the St. Petersburg Ballet, the Anton Ploom St. Petersburg Ballet Theatre, and Ballet Imperial. Her repertoire includes roles and pas de deux from Swan Lake, The Nutcracker, Giselle, The Talisman, La Fille mal gardée, and Don Quixote.
In the light and distinctive world of the Chinese Dance, she showcases both her classical ballet training and the diverse stage experience she has gained in recent years.
Mikhail Los graduated from the Vaganova Academy of Russian Ballet in 2018. He began his professional career as a member of private ballet companies and, in recent years, has performed on international tours across Russia, Europe, Asia, and the United Arab Emirates. His repertoire includes major works such as Swan Lake, The Nutcracker, The Sleeping Beauty, Giselle, Le Corsaire and Don Quixote. He has also performed in neoclassical productions and choreographic études in St. Petersburg and other cities across Russia.
In the role of the Arabian Doll, his characterisation draws on the traditions of classical ballet, supported by his extensive stage experience and international touring background.
Viktoriia Volchkova graduated from the Krasnoyarsk Ballet Institute and began her career as a member of the corps de ballet, later performing prominent roles as a coryphée and soloist. She has appeared in state theatres across Russia and as a guest artist on prestigious stages in more than 25 countries. Her repertoire includes numerous leading roles from the classical ballet canon, including Maria in The Nutcracker, as well as notable performances in The Sleeping Beauty, Giselle and La Bayadère. Her performances combine refined technical skill with powerful artistic expression, captivating audiences wherever she appears.
Leonid Kisil was born in St. Petersburg and received his classical ballet training at the Vaganova Academy of Russian Ballet, where he later earned a master’s degree with honours in ballet pedagogy and choreography. From 2006 to 2016, he was a member and soloist of the ballet company at the Mikhailovsky Theatre in St. Petersburg. He later served as Deputy Artistic Director at the Boris Eifman Ballet Theatre, contributing to the company’s artistic direction, rehearsal process, and the training of its dancers. He is also active as a choreographer and teacher, having founded his own choreographic studio and theatre, and regularly serves as a jury member at international ballet competitions and festivals. Throughout his career, he has toured extensively across Europe, North America, and Asia.
The Nutcracker calls for two distinctly different sides of his artistry: both the mysterious character of Drosselmeyer and the Mouse King require a commanding stage presence and strong characterisation. Leonid Kisil brings several decades of experience as a performer, teacher, and artistic director to these roles.
Sivrina Ulyana Yuryevna is a young classical ballet artist with international experience. From 2014 to 2019, she studied at the Moscow State Academy of Choreography before continuing her training at the Perm State Choreographic School, where she graduated in 2022. From 2022 to 2025, she worked as a senior-category ballet artist with the Novaya Opera & Ballet Moscow company. Since August 2025, she has participated in international tours, performing in destinations including Latin America and China. Key works in her repertoire include Swan Lake, The Nutcracker and Giselle.
She joins the production with extensive theatrical and international stage experience. Her classical ballet training, refined technical skills, and powerful stage presence are built on experience gained with several renowned companies and international tours. Her artistic sensitivity, confident stagecraft, and high level of performance expertise make her one of the production’s key artists.
Purchase your tickets via the “Buy Tickets” button on the official bftz.jegy.hu website, safely and conveniently.
Click the “Buy Tickets” button to be directed to kodalyfilharmonia.jegy.hu where you can quickly and securely reserve your seat.
Book your tickets by clicking the “Buy Tickets” button, which takes you to the official bftz.jegy.hu site with complete security.
Click the “Buy Tickets” button and we will direct you to the official bftz.jegy.hu where you can purchase with confidence.
The “Buy Tickets” button takes you to the official, secure bftz.jegy.hu platform, where you can easily get your ticket.
Click the “Buy Tickets” button and we will direct you to the official bftz.jegy.hu where you can purchase with confidence.
Click the “Buy Tickets” button and we will direct you to the official bftz.jegy.hu where you can purchase with confidence.
Featuring:
Kodály Philharmonic
Conducted by: Somogyi-Tóth Dániel.
Click the “Buy Tickets” button to reach the official bftz.jegy.hu website, where you can book your seat securely and easily.
Featuring:
Kodály Philharmonic
Conducted by: Somogyi-Tóth Dániel.
Click the “Buy Tickets” button to reach the official bftz.jegy.hu website, where you can book your seat securely and easily.
Featuring:
Kodály Philharmonic
Conducted by: Somogyi-Tóth Dániel.
Click the “Buy Tickets” button to reach the official bftz.jegy.hu website, where you can book your seat securely and easily.
Click the “Buy Tickets” button to reach the official bftz.jegy.hu website, where you can book your seat securely and easily.
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Márta Gáborné264 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Két helyszínen is megtekintettük az előadást (Debrecen, Budapest). Maga az előadás, díszlet, hang, fény és a társulat egyaránt csodálatos volt. Viszont a budapesti helyszín hatalmas csalódás volt, egy neves társulat a fővárosban ilyen körülmények között, hát inkább nem mondok semmit. De a művészek itt is elvarázsolták a közönséget, így ellehetet vonatkoztatni a körülményektől.Közzétéve itt: Google![]()
házi kedvenc266 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Győrben láttuk a lányommal az előadást, profi volt maximalisan, felejthetetlen a balettosok és a zenekar játéka is. Teljesen elvarázsolt a csodás produkció! Sajnos a nézőtér berendezése nem volt méltó az előadáshoz, alig láttunk valamit. A lépcsőzetesen emelkedő sorok jó megoldás lehetett volna....Közzétéve itt: Google![]()
vivien renczes268 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Számomra felejthetetlen élmény volt az előadás! Nagyon színvonalas,és profi műsort láthattam! Minden korosztálynak ajánlom!Közzétéve itt: Google![]()
János Demeter270 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Szuper produkció!Közzétéve itt: Google![]()
Lajosné Kasza270 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Csodás, felejthetetlen élményben volt részünk!Közzétéve itt: Google![]()
Irén Kárpáti271 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Gyönyörű előadás volt, profi hangzás, nagyszerű zenekar, fantasztikus táncosok.Közzétéve itt: Google![]()
Márta Darázs271 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Igényesség, átszellemült játék, varázslat, maga volt a csoda!Közzétéve itt: Google![]()
Zsolt Spindler271 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Csodálatos élmény volt a világ legjobb balett táncosait látni Magyarországon. A szentpétervári és moszkvai művészek varázsolnak a színpadon, mesevilágot teremtenek gyerekeknek és felnőtteknek egyaránt. Arról nem is beszélve, hogy az Operaház árainak egynegyedéért láthatunk olyan fantasztikus előadást, amiért más körülmények között külföldre kellene utaznunk. A helyszínek (az Arénák) funkcionális, de méltatlan helyek, kényszermegoldások, de amint megkezdődik az előadás, el is feledkezünk a betonról és a vasszerkezetekről. Aki gyönyörű, igazi művészi élményt szeretne, és megteheti, az nézze meg ezeket az előadásokat.Közzétéve itt: Google![]()
Zsuzsanna Domonkosné272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Győrben láttam az előadást. Csodálatos volt,a tánc,a ruhák, minden mese szép. Sajnos a helyszín,a terem,nem erre az előadásra volt méltó. Ez több néző társam véleménye. Szinte alig láttunk valamit az előadásból,mert a székek elhelyezése,a nézőtér,erre alkalmatlan volt. Nagyon sajnálom,mert nagyon vártam az előadást,ami csodás volt.A művészek erről nem tehettek semmit,csak a szervezők!Közzétéve itt: Google![]()
agiszan agiszan272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Remek előadást láthattunk, mind a balettművèszek, mind a zenèszek rèszèről. Nem először láttam, és most is fantasztikus èlmèny volt.Közzétéve itt: Google![]()
Dóra Csavajda272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Fantasztikus élmény volt Pécsett, rendkívüli látvány, szaktudás és végtelen elegancia, kecsesség. Köszönöm szépen!Közzétéve itt: Google![]()
Klára Grófné Szederkényi272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Szép élménnyel gazdagodtam, és nagyon jó, hogy Kaposváron is lehetett élőben egy ilyen előadást látni.Közzétéve itt: Google![]()
Péterné Fedor272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Fantasztikus táncosok, csodás jelmezek, gyönyörű élő zene.Közzétéve itt: Google![]()
Anita Narancsik272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
6 éves kislányommal voltam. Gyönyörü és szinvonalas elöadás volt. Napokig emlegette az apró részleteket telyesen elvolt varázsolva töle.Remélem lesz még részünk ilyenben Szombathelyen!Közzétéve itt: Google![]()
Zsoltné Czink272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Csodálatos előadás volt. Sosem voltunk balett rajongók, bár mivel vidéken élünk, nem is igen volt lehetőségünk elmenni. A 3,5 éves unokánk viszont látott a tv-ben és nagyon megtetszett neki, mindig balettet kell nézni. A Diótörő lett a kedvenc. Ezért amikor megláttam, hogy Pécsen lesz, megvettük a jegyeket. Az unokámnak is nagyon tetszett 3,5 évesen és mi is megszerettük a férjemmel. Megbeszéltük, hogy máskor is mehetnénk balett előadásokra. Köszönjük a csodálatos élményt!Közzétéve itt: Google![]()
Imola Holecz-Szijártó272 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Hatalmas élmény volt!! Az 5 éves kisfiammal néztem meg közösen. Azt hiszem, hogy egy életre maradandó élmény volt számára és a színház a balett iránti tisztelet szeretet beleivódik egy életre. A végén azt mondta “ Anya szeretném újra megnézni az összes helyen ahova megy a társulat” szívmelengető érzés volt hallani ezt tőle! Remélem hogy folytatódik és máskor is tudnak majd jönni Veszprémbe és még több ilyen minőségi előadásra lesz lehetőség majd ellátogatni!!Közzétéve itt: Google![]()
Vivien Jázmin Márta273 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Színvonalas előadás, csodaszép jelmezek, profi táncosok, igazi Diótörős hangulat. Gratulalok mindenkinek! Várjuk a jövő évi produkciókat!!!+1Közzétéve itt: Google![]()
Laura Pintér273 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Tegnap este a BOK Csarnokban volt szerencsém látni a produkciót, és még mindig az élmény hatása alatt vagyok. Szeretném megköszönni a szervezőknek és a művészeknek is ezt a csodálatos estét! Külön kiemelném Mária alakítását: lenyűgöző volt az a technikai tudás és az a hihetetlen kecsesség, amivel a színpadot betöltötte. Bevallom, a helyszín miatt volt bennem némi félelem, de amint felcsendült a zene és megkezdődött az előadás, a profi hang- és fénytechnika, valamint a gyönyörű díszletek azonnal elfeledtették velem a környezetet. A varázslat teljesen beszippantott, és csak a színpadra tudtam koncentrálni. Nagyon hálás vagyok nektek, hogy elhozták ezt a színvonalat hozzánk! Bízom benne, hogy töretlen lelkesedéssel folytatjátok ezt az utat, és a jövőben még nívósabb helyszíneken is láthatjuk majd a produkcióitokat.Közzétéve itt: Google![]()
Herceg Morris273 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Szombathelyen volt szerencsém az előadást megnézni. A legnagyobb kedvencem a Diótörő, ezért szerettem volna látni élőben, és megmondom őszintén, hogy csodálatos volt. Teljesült egy álmom. Fantasztikus volt, amit a művészek elénk tártak, és ahogy néztem őket, tényleg elragadott valami varázslat. Biztosan az első sorban ülök ismét, ha legközelebb újra jönnek. Rengeteg kemény munka, amit bele tettek, és őszintén emelem a kalapom mindannyiuk előtt! Színvonalas előadás volt. Köszönöm! 💗Közzétéve itt: Google![]()
Judit Végvári273 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
MAgas színvonalú, lenyűgöző előadást láthattunk, profi táncosokkal és zenészekkel. Köszönjük!Közzétéve itt: Google![]()
Karolin Szabó273 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Tényleg varázslatos élmény volt, sosem felejtem el. Úgy éreztem magam, mintha én is részese lettem volna a történetnek. Remélem, a jövőben is lesznek még ilyen csodálatos balett előadások. Nagyon köszönjük a művészeknek és a háttérben dolgozó szervezőnek, hogy létrehozták a varázslatot és elvállalták ezt a nagy utat, elhozták hozzánk is ezt a különleges élményt! Большое спасибо!😊Közzétéve itt: Google![]()
Andrea Norczenné Kiss273 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Csodálatos volt az előadás! Gyönyönyű ruhák,csodás táncosokkal! Köszönjük az élmény!🤗Közzétéve itt: Google![]()
Beáta Varga273 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Az előadásra nyertem a jegyeket. Köszönjük a lehetőséget. Egy csodálatos, fergeteges előadást láthattunk profi táncosokkal, gyönyörű zenével, ami elvarázsolt bennünket. Bearanyozta a hétvégénket. Felejthetetlen élmènyben volt részünk.Közzétéve itt: Google![]()
Evelin Anna Veréb274 days agoA Trustindex hitelesíti, hogy a vélemény eredeti forrása Google.
Gyönyörű produkciót láthattunk, igazán mesébe illő volt!
The full performance is approximately two hours long, with a short 15–20 minute intermission. During this time, guests can refresh themselves or visit the available buffet, then return to enjoy the second act with renewed attention.
The Nutcracker performance is presented in two acts, each of which offers a unique experience on its own. The first part showcases the magic of Christmas Eve and the battle scene, while the second reveals the stages of the fairy-tale journey.
The performance offers a lasting experience for all ages, as the visuals, music, and dance tell the story in a universal language. However, we recommend attendance from age 6+, so that children can fully follow the plot and enjoy the story.
Yes, a cloakroom is available at all venues, where guests can comfortably store their coats and bags. The terms of use may vary by location, so it’s best to check details upon arrival.
Tickets are available via the ,, Tickets " button on our website. By clicking it, you will be directed to jegy.hu’s official, secure platform, where you can conveniently and quickly finalise your purchase, securing your place at the performance.
At every stop of the tour, you can experience Tchaikovsky’s music performed live by either the Budapest Philharmonic Orchestra or the Kodály Philharmonic Orchestra.
Most venues have public parking lots or parking garages nearby, making access to the performance convenient. It is recommended to check parking options in advance on the chosen venue’s own website.
Get in touch with us if you have any questions about the performance, ticket purchases, or need further information regarding your booking. We are happy to help with anything to ensure your Nutcracker ballet experience is complete and worry-free.
Important: It is not possible to reserve tickets through the contact form!